Showing posts with label jd salinger. Show all posts
Showing posts with label jd salinger. Show all posts
Tuesday, February 2, 2010
HEADLESS HORSEMAN
A more substantial update is coming tomorrow, but I thought it worth mentioning the wealth of Salinger material currently awaiting you at the New Yorker. The writers there sum up a lot of my own feelings in a much more succinct and beautiful way than my typo-ridden blog post ever could.
Feast your eyes on these for now.
Thursday, January 28, 2010
MY COMPUTER BE ELDERLY
I don't think this dear ol' chum will last much longer...I've had it for just shy of 5 (!) years now, and it has travelled with me to several states, a couple different countries, and far too many apartments. I just kind of have a gut feeling that this trusty G4 is on its last legs, and to that end I've been peering into its dustiest, murkiest corners, looking for random shit.
Today, I've been shuffling through the dozens of old Safari bookmarks I've made over the years. Without further ado, the best of the bunch:
"Over the Edge With Pete Doherty": this Rolling Stone profile from March of 2006 came at the height of the "holy shit, Pete Doherty is fucking messed up" era, not long before he was thrown in jail and then The Guardian let him write articles from inside the slammer. Amazing, terrible, harrowing, fascinating. The bookmark dates back to my time living in the UK--we would read Pete's Guardian dispatches and eat Lion bars and laugh and laugh...
Laura Splan: the website of a really interesting artist by the name of, yep, Laura Splan. Her work is really interesting, and spans a lot of different media. Sort of reminds me of Kiki Smith crossed with Tim Hawkinson. Awesome. This link was forwarded to me during my senior year, when I was heavily into themes of anatomy and the body in art (my Sculpture final liberally utilized lamb's hearts).
J.D. Salinger. Uncollected Writings: this one has taken on particular poignance in light of today's sad news. But what better way to celebrate the man's life than to read one of these stories. A fantastic resource.
Selected Civil War Photographs: a great database of Civil War photos, mostly by Mathew Brady, obvs.
New York Songlines: an amazing find from several years back, this site goes through Manhattan block by block, detailing the history of each address. Fascinating for anyone into NY history.
And that's me done.
PS: Computer, please survive until I have money to buy a replacement (though there could be no replacing you, baby, I swear).
Labels:
civil war,
computer death,
history,
internet safari,
jd salinger,
pete doherty
THE LAUGHING MAN
The New York Times reports that JD Salinger has died, at the age of 91.
91 is a great span of years to live, but I still can't help but feel vaguely upset, in that way you do when well-know personages whom you greatly admire die. Though his death will doubtless be "eulogized" in some incredibly half-assed way on Twitter and Facebook, I still feel moved to write a few things about Salinger and his work.
Not even the venerable Times is able to write a eulogy of Salinger without essentially reducing his fantastic (if admittedly rather small) body of work to one book, the ubiquitous Catcher in the Rye. Like so many others, I was an instant fan of Catcher, and yes, it meant a lot to me as a youth. But the primary argument against that novel, that it was juvenile or facile because its primary themes were too "angsty" or (in our generation's parlance) "emo" always range hollow. Of course the book spoke to angry, confused teenagers who were frustrated by the world and considered everyone around them stupid or misguided. The overarching tale, though, is not of a teen struggling against the constraints of adulthood, insomuch as it is of a person attempting to make peace with an imperfect world. For some that's an easy--or nonexistent--task, but for many others it is a daily struggle that lasts a lifetime.
Salinger himself was a prime case study of that struggle. An extraoridinarily talented young man who met with quick success, he was nonetheless unable to come to terms with what that meant; he also always struck me as, eventually, afraid to share himself any further. No doubt he had always been that way somewhat, and the spotlight of literary celebrity shone too brightly, and too hot. I never really blamed him, even if I was frustrated that he seemed to have books upon books just stashed away in a safe in New Hampshire.
Though my copy of Catcher is definitely worn, I am also extraordinarily fond of Franny & Zooey, and I always considered it more of a novel unto itself than a set of two short stories. Salinger's oeuvre is substantial enough to require and reward repeated readings, as he built up the mythology of the Glass family through over a dozen delicately calibrated and intertwined stories.
He may not have released a single book in my lifetime, but I can't help but feel a tinge of loss today.
Labels:
catcher in the rye,
franny and zooey,
jd salinger,
nine stories,
rip
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